The StudioLive 32R digital mixer is four audio tools in two compact rackspaces. Use it as a standalone digital mixer with UC Surface remote mixing software. Pair it with your StudioLive Series III console mixer to use as a stage box or integrated monitor mixer. Connect it with EarMix 16M monitor mixers for the ultimate personal monitor system. Plug it into your studio computer, and you have a continuously bidirectional, 128-channel (64×64) USB audio interface with modeled vintage dynamics and EQ plug-ins on every input and bus. Whether used standalone or as part of a complete audio system, no other rackmount digital mixer is as flexible or as powerful.

Inside the StudioLive 32R, the single-core PreSonus FLEX DSP Engine powers 40 mixing channels, 22 mix buses, and 270 simultaneous processors, including 4 stereo effects and Fat Channel plug-in models on every input channel and mix bus. This is a true 32-channel digital mixer that can comfortably fit in any size rig. Simply connect it to a standard wireless router and control every mix parameter from your iPad, Android tablet, or Windows Touch computer using UC Surface. UC Surface was designed to make mixing on a touch screen as intuitive as mixing on faders.

An integrated 128-channel (64×64) audio interface lets you record with digitally recallable analog preamps and a complete rack of vintage EQ and dynamics processors for every channel and bus. Modeled after classic analog studio designs, these compressor and EQ plug-ins load both natively on the StudioLive 32R and inside Studio One, providing the ultimate mixing and recording flexibility.

SPECIFICATIONS

• SERIES: StudioLive
• COLOR: Black
• COUNTRY OF ORIGIN: CN
• VOLTAGE: 100-120V
• POWER CONSUMPTION: 35W (Continuous)
• PHANTOM POWER: +48 VDC (2 VDC)
• DIGITAL AUDIO BIT DEPTH: 24
• DIGITAL AUDIO DYNAMIC RANGE: ADC Dynamic Range: 115 dB (A-Weighted, 48 kHz), DAC Dynamic Range: 115 dB (A-Weighted, 48 kHz)
• DIGITAL AUDIO REFERENCE LEVEL FOR ZERO DBFS: =+18 dBu
• DIGITAL AUDIO TOTAL SYSTEM LATENCY: 1.9 ms (local routing, analog in-analog out, all processing active)
• LINE INPUT CONNECTION TYPE: RCA Female, Unbalanced (Stereo Pair)
• LINE INPUTS MAXIMUM LEVEL: +12 dBu, 0.5 dBu
• MICROPHONE INPUT CONNECTION TYPE: Combo Locking XLR Mic – 1/4 TRS Line
• MICROPHONE PREAMP COMMON MODE REJECTION RATIO: 65 dB (1 kHz at Unity Gain)
• MICROPHONE PREAMP FREQUENCY RESPONSE: 20-20 kHz (0.5 dBu at Unity Gain)
• MICROPHONE PREAMP GAIN CONTROL RANGE: 0 dB to 60 dB (1 dB)
• MICROPHONE PREAMP INPUT IMPEDANCE: 1 k
• MICROPHONE PREAMP MAXIMUM INPUT LEVEL: =+12 dBu (Unity Gain)
• MICROPHONE PREAMP SIGNAL TO NOISE RATIO: 94 dB (Ref = +4 dB, 20 kHz BW, Unity Gain, A-Weighted)
• MICROPHONE PREAMP TOTAL HARMONIC DISTORTION: <0.005%, +4 dBu, 20-20 kHz, Unity Gain, Unweighted
• HEADPHONE OUTPUTS FREQUENCY RESPONSE: 20 Hz to 20 kHz, +/-0.5 dB
• HEADPHONE OUTPUTS MAXIMUM OUTPUT: 100 mW/ch. @ 60 Load
• HEADPHONE OUTPUTS SIGNAL TO NOISE RATIO: 96 dB, 1 kHz, Maximum Gain, 20 Hz BW, Unweighted
• HEADPHONE OUTPUTS TOTAL HARMONIC DISTORTION: 0.01%, 1 kHz, Maximum Gain, 20 Hz BW, Unweighted
• LINE OUTPUTS CONNECTION TYPE: 1/4 TRS, Balanced
• LINE OUTPUTS MAXIMUM OUTPUT LEVEL: =+18 dBu, 0.5 dBu
• LINE OUTPUTS OUTPUT IMPEDANCE: 100 Ohms
• DIGITAL AUDIO AVB AUDIO NETWORK PORTS: Locking XLR, Ethernet
• DIGITAL AUDIO NETWORK CONTROL PORT: RJ-45
• DIGITAL AUDIO USB RECORDING PORT: USB 2.0, Type-B